Notes and queries , , 60, 1. Dower,Catherine A. Early music. Gay,John ; Barlow,Jeremy. Gay,John ; Michon,Jacques. Gilman,Todd S. University of Toronto quarterly , , 66, 3, Gilman,Todd Seacrist. The theory and practice of English opera and related genres in London, John Gay, George Friederic Handel, their predecessors and contemporaries. You have 0 reference s not in folders.
Duplicates Exact Duplicates Close Duplicates. Instruments of the Orchestra. Ives: Piano Sonata 2 'Concord, Mass. Joyce and Wagner: A Study of Influence. Timothy Martin. Kevin Barry. Music and Conceptualization. Mark Debellis. Music and Image. Iain Fenlon. Music and Society. Music and Text: Critical Inquiries. Steven Paul Scher Editor. Katharine Ellis. James McKinnon Editor.
Music in Spain During the Eighteenth Century. Music in the Primary School. Music of the Middle Ages I. Music Theory in the Age of Romanticism. Music, Gender, Education. Lucy Green. Hettrick Translator. First English translation of Johann Friedrich Daube's Musical Dilettante: A Treatise on Composition Vienna, , written as a practical, comprehensive guide for aristocratic dilettantes wishing to compose instrumental chamber music for their social entertainment. Burnham Editor. This volume offers a selection of the most salient of A. Marx, one of the most important German music theorists of his time, including oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's Eroica Symphony.
New Mattheson Studies. George Buelow, Hans J. Marx Editor. A collection of essays bringing together the current research on Johann Mattheson , an influential musician and chronicler of musical thought in eighteenth-century Germany.
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Essays explore Mattheson as a composer; his relationship to contemporaries; his influence on developing musical theories and aesthetics; and the cultural climate of Hamburg during Mattheson's lifetime. Organ Music of J. Bach: A Background Csm, vol. Peter Williams. Perspectives on Mozart Performance. John Bean, Amelia Oldfield.see url
The Cambridge Companion to Eighteenth-Century Opera
John Rink Editor. Principles of the Harpsichord. Rebecca Harris-Warrick. Proust As Musician. Jean Jacques Nattiez. The first intellectual biography of the French composer and theorist Jean-Philippe Rameau, who synthesized the vocabulary and grammar of musical practice into a concise scientific system, earning himself the popular title of 'Newton of the Arts'. Explores Rameau's accomplishments in the light of speculative and practical considerations of music theory as well as many of the scientific ideas current in the French Enlightenment.
Realism in Nineteenth-Century Music. Richard Wagner's Music Dramas.
The Rise of European Music, Reinhard Strohm. Kassler Editor.
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Satie the Composer. Robert Orledge. Comprehensive study of the influential music theorist, Heinrich Schenker Without compromising the highly technical side of Schenker's theory that has chiefly preoccupied earlier writers, the author reveals the humanist side of Schenker's approach to understanding European music of the eighteenth and nineteenth centuries, including how metaphor and imagery are interwoven with technical analysis in Schenker's attempts to portray the richness of musical experience and the complexity of the composer's mind. Schoenberg and the New Music.
Arnold Schoenberg was one of the most influential and controversial composers of the twentieth century. This collection of essays examines the works of composer in the context of the "New Music" that was the historical and cultural movement of his time. In these essays, Schoenberg's work is subjected to historical, technical and theoretical analysis. The collection includes essays of broader cultural-historical and sociological import that should interest those involved with twentieth-century music and theory.
Scotland in Music: A European Enthusiasm. Roger Fiske. Stephen Banfield. Valeri Rumbold, Iain Fenlon Editor. Sound, Space and Music. Theory, Analysis and Meaning in Music. Anthony Pople Editor.
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Vindications: Essays on Romantic Music. Women in Music.
Ann Pugh. Robin Wallace. Wendy Munro. Cori Spezzati Vol. Deals with polychoral church music from its beginnings in the early s to its climax in the work of Gabrieli and Schutz. The title comes from a tradition of polychoral music where the singers, and sometimes instrumentalists, were split into two or more groups engaged in lively musical dialogue and joined in majestic tutti climaxes.
This volume draws on contemporary descriptions of the idiom, especially from the writings of Vicentino and Zarlino, but concentrates mainly on musical analysis, showing how antiphonal chanting, dialogue, and canon influenced the phenomenon.